BC-AD

This was the moment when Before
Turned into After, and the future’s
Uninvented timekeepers presented arms.

This was the moment when nothing
Happened. Only dull peace
Sprawled boringly over the earth.

This was the moment when even energetic Romans
Could find nothing better to do
Than counting heads in remote provinces.

And this was the moment
When a few farm workers and three
Members of an obscure Persian sect

Walked haphazard by starlight straight
Into the kingdom of heaven.

by U.A. Fanthorpe

© U.A. Fanthorpe, 2002

Having been one of Britain’s most popular poets since publishing her first collection in 1978, U.A. Fanthorpe sadly passed away in April, 2009. Christmas Poems, first published in 2002, collects Christmas card messages sent by Fanthorpe to friends since 1974, and is a fitting tribute to her versatility and wit as a poet. ‘BC-AD’ offers an askance perspective on the Nativity story, striking with the quicksilver power of an epiphany. You can find out more about the collection here, and more about Fanthorpe here.

Enitharmon Press takes its name from a William Blake character who represents spiritual beauty and poetic inspiration. Founded in 1967 with an emphasis on independence and quality, Enitharmon has been associated with such figures as Samuel Beckett, Harold Pinter and Kathleen Raine. Enitharmon also commissions internationally renowned collaborations between artists, including Gilbert & George, and poets, including Seamus Heaney, under the Enitharmon Editions imprint. Discover more about Enitharmon here.

Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.

The Weekly Poem service takes a Christmas break for the next two weeks, and returns on 11 January. Merry Christmas and a Happy New Year to all readers, and thanks for your continued support of the Weekly Poem initiative.

Like the Ghost of a Carrier Pigeon

In a couple of hours darkness will throw its blanket

over the scene    she will pretend to read a mystery
                                 the mower and hammering will cease

The bees leave the andromeda and then

So much has been spent constructing a plausible life
she did not hear the engines of dissent run down

Some still attempt to cover the skull with the wire of their hair
                                           others shave everything instead

A solitary relives the pleasure of releasing his bird

There is no sacrosanct version    there is only time

Even now   if someone yells Avalanche    she has one
Thoughts shudder against the ribs and go still

Soon the son would be out running around in her car
with a sore throat    soon the decibels commence killing off hair cells

She checks to see if the phone is charged and then

The ones responsible for slaying the dreamer are mostly in the ground
but the ones responsible for slaying the dream

           suffer only metabolic syndrome

Even now    now that her supply of contact lenses has dwindled
                                she was refusing to sing the Wal-Mart song

The bees would be back and then

All efforts at reconciliation aside    even if everyone exchanged germs
                                         happiness is only for amateurs

A dress worn only once before has been hung on the door
                               the mirror under the cloth receives its image

by C.D. Wright

© C.D. Wright, 2009.

Deeply personal and politically ferocious, Wright’s thirteenth collection Rising, Falling, Hovering (Copper Canyon Press, 2009) addresses, as Wright has said elsewhere, “the commonly felt crises of [our] times” — from illegal immigration and the specific consequences of empire to the challenges of parenting and the honesty required of human relationships.

C.D. Wright has published over a dozen works of poetry and prose. Among her honours are the Robert Creeley Award and a MacArthur Fellowship. She lives near Providence, Rhode Island. To learn more about her work, click here.

Copper Canyon Press is a non-profit publisher that believes poetry is vital to language and living. For thirty-five years, the Press has fostered the work of emerging, established, and world-renowned poets for an expanding audience. To find out more about Copper Canyon and its publications, click here.

Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.

From ‘In the Face of History: In Time of War’

4.  Doisneau: Underground Press

Were I to fall in love all over again, it would be
with this low ceiling, with the calm faces
of the two men going about their craft
and with her now twisting towards them
beautiful, defiant and free.

Because we forget how beauty was once itself
and nothing else, how it held its stellar
moment in attic and cellar.

Because that is what beauty is, this compact
with time and the silence of concentration
on one subversive operation,

that requires courage and sacrifice
and never comes without a price.

5.  Sudek: Tree

The visionary moment comes
just as it is raining, just as bombs
are falling, just as atoms

burst like a sneeze in a city park
and enter the dark
as if it were the waiting ark.

You open your hand and blow
the dust. You pick and throw
the stone. You make the round O

of your mouth perfect as light
and the tree bends and stands upright
in the stolid night.

by George Szirtes

© George Szirtes, 2009.

George Szirtes’ latest collection, The Burning of the Books and other poems, from which these two sections are taken, is a collection of narrative sequences by a writer who came to Britain as a child refugee after the Hungarian Uprising of 1956. The two poems above come from a sequence which was commissioned by the Barbican Art Gallery to accompany its exhibition ‘In the Face of History: European Photographers in the 20th Century’. There is more information about the exhibition here, and you can see the photographs which were the inspirations for Szirtes’ two poems here and here.*

George Szirtes was born in Budapest in 1948. He was educated in England, trained as a painter, and has always written in English. In recent years he has worked as a translator of Hungarian literature, and co-edited Bloodaxe’s Hungarian anthology The Colonnade of Teeth. His poetry books published by Bloodaxe include The Budapest File (2000); Reel (2004), which won Szirtes the T.S. Eliot Prize; and New & Collected Poems (2008). The Burning of the Books and other poems (2009), has been shortlisted for the T.S. Eliot Prize 2009. Szirtes lives in Norfolk and teaches at the University of East Anglia. You can read more of the poems from the ‘In the Face of History’ sequence on the Poetry website here, and learn more about the poet here.

Founded in Newcastle in 1978, Bloodaxe Books is one of Britain’s leading independent poetry publishers. Internationally renowned for quality in literature and excellence in book design, its authors and books have won virtually every major literary award given to poetry. Details of all Bloodaxe’s publications, plus sample video and audio clips of poets reading their work, can be found here.

* Sudek took a number of similar photographs of this tree in his garden, and the photograph displayed at this link may not be identical to the one exhibited at the Barbican.

Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.