Tag: John Kinsella

Belle Étoile

~ oxfordbrookesuni

(after Paul Louis Rossi)

One more time
I’ve let myself drift
Through the network of darkened streets
Once more the boat has left harbour
And I’ve forgotten oars and compassMysterious
Women, or statues,
Stone façades or plaster faces
You steal my nights from me
You mix your blood with mine, in spite of me

Nothing welcomes me nothing
In the solitude where I wander
Not a single opening door
And the fluttering of handkerchiefs can’t hold me
The current is too strong, the rudder’s broken

Let it go give up
Don’t stretch out a hand to the drowned man
I’ll roll like a pebble to the sea
And don’t go grieving over him he has
His eternity of recollection innocence and forgetfulness

In the bitter strictness of the night
The stars are extinguished after so many glances
It’s between two waves that the voyage ends
The lighthouses winking to each other on the coast
I’m lit up suddenly like phosphorescence, glowing algae

by John Kinsella and Alan Jenkins

Booking for our exciting poetry writing/visual art workshop with Tamar Yoseloff closes tomorrow (Thursday) at 5pm! Just a couple of places remain, so move fast if you would like to join us! Visit the Poetry Centre page for more details.

We invite all our Weekly Poem subscribers to join us at the awards evening for our International Poetry Competition on Friday 25 November at Oxford Brookes from 6-8pm. The event will feature readings from our judge, Daljit Nagra, and the winning and shortlisted poets. To attend, please e-mail poetrycomp@brookes.ac.uk by 11 November with details of how many places you require. We hope to see you there!   

‘Belle Étoile’ is copyright © John Kinsella and Alan Jenkins, 2015. It is reprinted from Marine (Enitharmon Press, 2015) by permission of Enitharmon Press. 

Notes from Enitharmon Press:

This remarkable collaboration had its origins when John Kinsella and Alan Jenkins, two very different poets who had long admired and enjoyed each other’s work, discovered by chance that the new poems they were working on shared a preoccupation with the sea. Marine brings together those poems and others written since, all dealing with the sea in its many moods and weathers, with people’s relationship to and exploitation of their marine environment, from the Indian Ocean to the shores of the Atlantic; the two poets’ highly distinctive voices, while drawing on a dazzling variety of forms and sources, complementing each other in a powerful counterpoint. Read more about the book on the Enitharmon website.

Alan Jenkins’s volumes of poetry include Harm, which won the Forward Prize for Best Collection in 1994, A Shorter Life (2005), Drunken Boats (2008), and Revenants (2013). He is Deputy Editor and Poetry Editor of the Times Literary Supplement. He is a Fellow of the RSL. Learn more about Alan Jenkins’s work from his page on the British Council website

John Kinsella’s recent works of poetry include Armour (Picador, 2011) and Jam Tree Gully (WW Norton, 2012). Picador published Sack in November, 2014. He is editor and the author of anthologies, works of criticism, fiction and poetry. He is an Extraordinary Fellow of Churchill College, Cambridge University. You can find out more about John Kinsella’s work from his website.

‘William Blake dreamed up the original Enitharmon as one of his inspiriting, good, female daemons, and his own spirit as a poet-artist, printer-publisher still lives in the press which bears the name of his creation. Enitharmon is a rare and wonderful phenomenon, a press where books are shaped into artefacts of lovely handiwork as well as communicators of words and worlds. The writers and the artists published here over the last forty-five years represent a truly historic gathering of individuals with an original vision and an original voice, but the energy is not retrospective: it is growing and new ideas enrich the list year by year. Like an ecologist who manages to restock the meadows with a nearly vanished species of wild flower or brings a rare pair of birds back to found a colony, this publisher has dedicatedly and brilliantly made a success of that sharply endangered species, the independent press.’ (Marina Warner.)  

You can sign up to the mailing list on the Enitharmon site to receive a newsletter with special offers, details of readings & events and new titles and Enitharmon’s Poem of the Month. You can also find Enitharmon on Facebook.

Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.

Razorshell Wreck on Barleycove Beach on the Eve of All Saints’ Day

~ oxfordbrookesuni

A small wreck is a large wreck when a species is in retreat,
undertow and wave-sets soothe and stress between slate hills:
the rise & fall, the artwork re-inscribed in sand which will
gradually wash away, the full weight of the Atlantic.

So attuned, so sensitive, so determined to pull themselves down –
foot anchored hydraulic pull to start again down down down –
razorshell feedertube sucking low tide sweet and sour
into the glasses-case body, enrapture, huddling organs

snug against a cutthroat world’s predators, the larger shifts
making small changes massive, prescribe low-tide second-sight,
test hope as St Jude’s day swell ripped the world apart, a mass
of brethren exposed to make detritus of selves, the soup of origins and excrescence sharply in bands of shifting light,
dozens scattered on this earthquake beach, this harbour wave jewel
where corpses cut bare feet to bone or sinew, ghouls and gods
make sense of spring water bottles and plastic ropes binding
‘best kept secrets’. So many starved here, and razorshells make
discrete sub-fences that will briefly hold the residue of Lisbon’s collapse,
a history divined in shell, its dead reflections, separations along
vaguely perfect faultlines, what fate saw from below the sand.

by John Kinsella and Alan Jenkins

News! On Friday 23 October, poets Sarah Corbett and Eleanor Rees will be visiting Oxford to read from their exciting new books in an event organized by the Poetry Centre. It will take place at the Albion Beatnik Bookshop in Jericho, and all are very welcome! More details can be found via Facebook.

The Adam Phillips seminars at Keble College continue. Seminars focus primarily on American poetry of the twentieth century, and at the meeting Phillips will introduce the material and lead the discussion. For more details about the series, and forthe link to the reading material, please visit: https://tinyurl.com/nbgwdwb The next seminar will be on Robert Hass’s ‘On Teaching Poetry’, and will take place at 4.30pm on Wednesday 21 October in the Pusey Room, Keble College. All are welcome.

‘Razorshell Wreck…’ is copyright © John Kinsella and Alan Jenkins, 2015. It is reprinted from Marine (Enitharmon Press, 2015) by permission of Enitharmon Press. 

Notes from Enitharmon Press:

John Kinsella’srecent works of poetry include Armour (Picador, 2011) and Jam Tree Gully (W.W. Norton, 2012). Picador published Sack in November, 2014. He is editor and the author of anthologies, works of criticism, fiction and poetry. He is an Extraordinary Fellow of Churchill College, Cambridge University.Alan Jenkins’s volumes of poetry include Harm, which won the Forward Prize for Best Collection in 1994, A Shorter Life (2005), Drunken Boats (2008), and Revenants (2013). He is Deputy Editor and Poetry Editor of the TimesLiterary Supplement. He is a Fellow of the RSL. You can read more about his collaboration with John Kinsella on the Enitharmon website.

‘William Blake dreamed up the original Enitharmon as one of his inspiriting, good, female daemons, and his own spirit as a poet-artist, printer-publisher still lives in the press which bears the name of his creation. Enitharmon is a rare and wonderful phenomenon, a press where books are shaped into artefacts of lovely handiwork as well as communicators of words and worlds. The writers and the artists published here over the last forty-five years represent a truly historic gathering of individuals with an original vision and an original voice, but the energy is not retrospective: it is growing and new ideas enrich the list year by year. Like an ecologist who manages to restock the meadows with a nearly vanished species of wild flower or brings a rare pair of birds back to found a colony, this publisher has dedicatedly and brilliantly made a success of that sharply endangered species, the independent press.’ (Marina Warner.)  

You can sign up to the mailing list on the Enitharmon site to receive a newsletter with special offers, details of readings & events and new titles and Enitharmon’s Poem of the Month. You can also find Enitharmon on Facebook. 

Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.