This Last Year

Between those Alps and Apennines
on a walk towards the Po,
there are tall, spaced, roadside poplars,
planted fields of silver birch…
At sunset, here, church cupolas
interrupt surrounding darkness
streaked with red hopes for good weather;
but then a so-called super moon
emerges from horizon trees—
their fragile threads of branches
like violent scratch-marks on a ruddy face. 

We’re threading through an after dusk
along the wide, slow-flowing river,
are lost in conversation
on wherever best to live
late days, or else discreetly wonder
about a greener charm in distance
on the far bank’s fertile side,
or at whatever may appear
over deepened skylines this last year. 

Higher, whiter, blurred in mist
floated from warm earth, that moon
might be the common coinage
of our coming separation—
but breaking up is hard to do,
and the best part’s even harder
now migrants go on envying
rights to be taken at the border
closing ahead as we pace on. 

Ahead, through twilight, can you see
outlines of their fainting country?
Where, next year, they’ll good as tell you
not to lament that loss of value
others envy? Abandon rage, outrage
at shames come from a muddy spring?
And why? Because, sans everything,
you’ll reach that other country, age?

2 January 2018


by Peter Robinson

This week’s poet, Peter Robinson, is one of the speakers at an exciting symposium, ‘Our Poetry and Our Needs’, which is being held at the University of Reading on Tuesday 9 July. The event features an international group of poets and academics, is open to all and free to attend. To see the provisional programme and to register, please visit the Eventbrite page here.

Also coming soon, don’t miss the chance to hear the acclaimed poet Gillian Allnutt in Oxford when she reads for us on Monday 20 May in an evening co-organized with the Oxford Centre for Christianity and Culture. Tickets are free, but register here

Finally, look up our Eventbrite listings to find readings by Ilya Kaminsky and Shara Lessley on 26 June and our three ignitionpress poets who will be launching their new pamphlets on 22 and 23 July.

‘This Last Year’ is copyright © Peter Robinson, 2019. It is reprinted from Ravishing Europa (Worple Press, 2019) by permission of Worple Press.

Ravishing Europa, Peter Robinson’s eleventh collection, marks a wholly unexpected development in the poet’s work, prompted, as evident throughout, by the fissures exported from a political party to an entire country and beyond by the 2016 referendum on membership of the European Union. Its consequences cast crucial events for this poet, both personal and public, into unforeseen fresh lights. Prompted by a televised debate to wonder in the title poem upon what impulse the founding European myth is based, Robinson’s new poems search through his individual and cultural memory to offer, as the book unfolds, an answer. Read more about the book on the Worple website

Peter Robinson was born in Salford, Lancashire, in 1953, and grew up mainly in Liverpool. He co-edited the magazines Perfect Bound and Numbers while helping organize various Cambridge Poetry Festivals and a Poetry International at the South Bank Centre. His many volumes of poetry include a Collected Poems, 1976-2016 (2017), Ghost Characters (2006) and The Look of Goodbye (2008). He was awarded the Cheltenham Prize for This Other Life (1988). Both The Great Friend and Other Translated Poems (2002) and The Returning Sky (2012) were recommendations of the Poetry Book Society. A translator of poetry, mainly from the Italian, The Selected Poetry and Prose of Vittorio Sereni (with Marcus Perryman) appeared in 2006. Other publications include his aphorisms, Spirits of the Stair (2009), five volumes of literary criticism, the most recent being The Sound Sense of Poetry (2018), various edited collections, anthologies, The Complete Poems, Translations & Selected Prose of Bernard Spencer (2011) and The Oxford Handbook of Contemporary British and Irish Poetry (2013). A collection of essays on his work, The Salt Companion to Peter Robinson edited by Adam Piette and Katy Price, appeared in 2007. Peter is also the poetry editor for Two Rivers Press and Professor of English and American Literature at the University of Reading. You can read more about Peter’s work on his website.

Worple Press was founded by Peter and Amanda Carpenter in 1997 and publishes books by new and established poets: collections, pamphlets, works in translation, essays, interviews. Early authors included Iain Sinclair, Joseph Woods, Beverley Bie Brahic, Kevin Jackson and the acclaimed American nature poet Peter Kane Dufault. Recent collections include Andy Brown’s BloodlinesThe Tree Line: Poems for Trees, Woods, and People, edited by Michael McKimm, Rockabye by Patricia McCarthy, and The Watching Stair by Diana Hendry. More information can be found at the publisher’s website, and on Facebook and Twitter.

Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.

Next to Nothing


Through a watery light of after-rain
this bed, its personal history,
brought back by container ship from Japan
shows in ruffled covers
lines that say love spent the night here,
its indentations, your body’s traces.

This commonplace bed with everyday sheets,
its rumples and creases
caused by the nightmare disturbances,
forms a tableau of shadowy folds
where by contrast time
tries to recover us, in all senses.

Yet still this unmade double bed
while you are away
preserves outlines where your body lay,
reminding me what lovers
do in their proximity
although I’m next to nothing now.

by Peter Robinson

Are you a Brookes member of staff or student? Do you have a favourite poem? The Poetry Centre invites you to share your love of poetry with the community in our exciting new project for National Poetry Day. If chosen to participate, you will be filmed reading your favourite poem and sharing why it is memorable to you. Filming will take place in September 2014 and videos will be posted to the Poetry Centre website via the Oxford Brookes YouTube channel for National Poetry Day on 2 October. If you wish to participate, all you need to do is send an e-mail to favouritepoem@gmail.com including your name, your role at Brookes (student or member of staff), the title and author of your favourite poem, and a brief description of the poem’s significance to you, by this Friday 16 May, 2014. No original poems, please!

On Monday 26 May, join an impressive line-up of writers (Lydia Mcpherson, Ian House, Brookes PhD candidate Jennifer Wong, Alyson Hallett, Barbara Marsh, Victoria Field, Jackie Wills, and special guest Louis de Bernières) at a special Coffeehouse Poetry reading. The event, which takes place from 8-10 pm, is hosted by Anne-Marie Fyfe at the Troubadour Cafe, 263-267 Old Brompton Road, Earl’s Court, London SW5 9JA. Tickets are £8 (£7 concs). For more details, visit the Coffee House Poetry website.

‘Next to Nothing’ is copyright © Peter Robinson, 2013. It is reprinted from Like the Living End (Worple Press, 2013) by permission of Worple Press.




Notes from Worple Press:

Peter Robinson was born in Salford, Lancashire, in 1953, and grew up mainly in Liverpool. His many volumes of poetry include a Selected Poems (2003), Ghost Characters (2006), and The Look of Goodbye (2008). He was awarded the Cheltenham Prize for This Other Life (1988). Both The Great Friend and Other Translated Poems (2002) and The Returning Sky (2012) were recommendations of the Poetry Book Society. A translator of poetry, mainly from the Italian, The Selected Poetry and Prose of Vittorio Sereni (with Marcus Perryman) appeared in 2006 and paperback in 2013. He received the John Florio Prize for The Greener Meadow: Selected Poems of Luciano Erba (2007) in 2008. Other publications include his aphorisms, Spirits of the Stair (2009), four volumes of literary criticism, the most recent being Poetry & Translation: The Art of the Impossible (2010), various edited collections and anthologies, such as The Complete Poems, Translations & Selected Prose of Bernard Spencer (2011) and The Oxford Handbook of Contemporary British and Irish Poetry (2013). A collection of essays on his work, The Salt Companion to Peter Robinson, edited by Adam Piette and Katy Price, appeared in 2007. The poetry editor for Two Rivers Press, he is Professor of English and American Literature, and currently Head of Department, at the University of Reading. You can read more about the book on Worple’s dedicated page, and visit Peter Robinson’s own website.

Worple Press was founded by Peter and Amanda Carpenter in 1997. Since then they have published a wide range of authors, including Iain Sinclair, Joseph Woods, Elizabeth Cook, Beverley Bie Brahic, Clive Wilmer and Kevin Jackson. They published the selected poems of the acclaimed American nature poet Peter Kane Dufault for the first time in the UK (Looking in All Directions); this was followed in 2007 by Kane Dufault’s To be in the same world. Peter Robinson’s The Great Friend and Other Translated Poems was the Poetry Book Society Recommended Translation for Spring 2002. This impressive backlist was augmented in 2012 by three significant titles: Passio: Fourteen Poems by Janos Pilinszky from Clive Wilmer and George Gomori; Riddance by Anthony Wilson; and the republication of William Hayward’s cult novel from 1964, It Never Gets Dark All Night. Over 2013 and 2014 new titles have included work from John Greening, Michael McKimm, Peter Robinson, Mary Woodward and Sally Flint. More information can be found on Worple Press’s websiteFacebook page, and Twitter feed, and you can sign up for Worple’s mailing list by e-mailing:  theworpleco@aol.com.

Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.

The Bird-Ghost

Like winter breath on a pane of glass
sprayed with fixing medium,
like a burglar’s greasy handprint
or white ectoplasm trace,
that bird of prey had hammered hard
against the built environment.

You could pick out its bent beak’s blunted face
and from a slow-motion film,
the flicker of that wing feather stain.
A smudged bird, arrested in headlong attack,
its output of energy equal to its impact
on the unseen or unforeseen
(our bedroom window pane),
it had made such a stunning mark.

by Peter Robinson

‘The Bird-Ghost’, is copyright © Peter Robinson, 2012. It is reprinted by permission of Shearsman Books from The Returning Sky .

Notes from Shearsman:

Peter Robinson was born in Salford, Lancashire, in 1953, and grew up mainly in Liverpool. He co-edited the magazines Perfect Bound and Numbers while helping organize various Cambridge Poetry Festivals and a Poetry International at the South Bank Centre. His many volumes of poetry include a Selected Poems (2003), Ghost Characters (2006) and The Look of Goodbye (2008). He was awarded the Cheltenham Prize for This Other Life (1988). Both The Great Friend and Other Translated Poems (2002) was a recommendation of the Poetry Book Society, and The Greener Meadow: Selected Poems of Luciano Erba (2007) received the John Florio Prize in 2008. Other publications include four volumes of literary criticism, the most recent being Poetry & Translation: The Art of the Impossible (2010), various edited collections, anthologies, and The Complete Poems, Translations & Selected Prose of Bernard Spencer (2011). The poetry editor for Two Rivers Press, he is Professor of English and American Literature at the University of Reading.

The Returning Sky is a Poetry Book Society Recommendation for the first quarter of 2012. You can read more from the collection at this link (pdf), and find out more about Peter Robinson’s life and work from his website and this interview at the Poetry Kit website. You can also hear him read from his work at the Archive of the Now website (search for Peter Robinson).

Shearsman Books is a very active publisher of new poetry, mostly from Britain and the USA, but also with an active translation list. You can learn more about the publisher here, and find Shearsman on Facebook.

Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.