The New Violin

March 26, 2019March 29, 2022 ~ oxfordbrookesuni

Total eclipse, May–November 1919

Empires have fallen
and birds hold their breath
as discs embrace in a darkness
that questions the weight of light.
Principe Island: Through cloud. Hopeful.
Sobral, Brazil: Eclipse splendid.

The data speak and Moses descends
from the mountain with a paradigm
carved in Riemannian stone.
Only twelve people understand it
and the public has begun to doubt
that two times two still equals four.

The data speak and starlight bends
to the will of strange geometries,
the language of tensor calculus.
Newton is dragged into the light,
fails to compete with the prophesies
of the Suddenly Famous Dr Einstein.

At forty, the way ahead is clear,
a new wife walking at his side.
To celebrate, he buys another violin
and glances back, half-expecting to glimpse
Mileva limping a few steps behind.
He sees only admirers.

by Martin Zarrop

News! The Centre has teamed up with IF Oxford Science and Ideas Festival and poet Kate Wakeling to run two poetry workshops for families on 9 and 15 April in Oxfordshire County Library. We’ll be encouraging participants to write brand new poems, ready for the IF Oxford Poetry of Science Competition. So if you know anyone aged 6-16 who is keen on poetry and science, please bring them along! You can sign up here.

Thenon 30 April, we’re at Waterstones to host four Canadian poets (Chad Campbell, James Arthur, Stephanie Warner, and Jim Johnstone) and celebrate the recent publication of an exciting new anthology of Canadian poetry. Sign up to attend here.

And on 20 May we are collaborating with the Oxford Centre for Christianity and Culture to bring the acclaimed poet Gillian Allnutt to Oxford – don’t miss her!

Find out more about these and other upcoming events on our Eventbrite page.

Martin Zarrop is a retired mathematician who wanted certainty but found life more interesting and fulfilling by not getting it. He started writing poetry in 2006 and can’t stop. His pamphlet No Theory of Everything (2015) was one of the winners of the 2014 Cinnamon Press pamphlet competition. His first full collection Moving Pictures was published by Cinnamon Press in October 2016. Read more about Making Waves on the V. Press website.

V. Press publishes poetry and flash fiction that is very very, with emphasis on quality over any particular style. Established with a launch at Ledbury Poetry Festival 2013 and shortlisted in The Michael Marks Publishers’ Award 2017, V. Press poetry knows what it wants to do and does it well. Read more about the press on the website.

Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.

Tailoring Grief

March 20, 2019March 29, 2022 ~ oxfordbrookesuni

The tailor says you have to get measured
to make sure grief fits right on your body.
If grief fits too tight it will suck movement out of you,
make you as still as the dead you are mourning.
I once wore grief so tight on my body my ribs tangled into a bow.
The tailor also says wearing an oversized grief will turn you
into a tripping hazard. There is only so much a body can take,
even a plane has weight limits.
We lined up at the tailors to get measured
for my grandfather’s funeral. The women for their Aso-oke,
the men for their Agbada. The orange material draped on the table.
It is our culture to celebrate in colour coordination.
I handed the tailor a torn page from Genevieve magazine
and pointed out the style I wanted.
Imagine if Mary wore a Gele for the funeral of Jesus,
tied it so tight she was dizzy
enough to feel absent from her body.
I picked up my cloth from the tailor on the seventh day.
The off-shoulder dress exposed my neck
so my dented collarbones could collect my tears.
At the funeral my grandmother wore a dress
with sleeves puffed like swollen lungs.
I held her, the tassels at the end of my dress dangled
like a rain of breathing tubes.
From afar our orange dresses looked like saliva dripping
from the gaping mouth of the sun.
The whole village watched in holy envy:
envy is only effective from afar, does not see the layers
of blood-stained threads that sew this body together.
Give me a culture that requires grief to be sewn
delicately on the body, I’ll take it any day.

by Theresa Lola

We have a number of exciting Poetry Centre events coming up! They are all free, but please register via these links. Firstly, on Monday 25 March, join us, TORCH, and Paris Lit Up for a discussion about cultural diversity in literature, featuring authors Elleke Boehmer, Karin Amatmoekrim, and Malik Ameer Crumpler. A showcase from Paris Lit Up and an open mic will follow.

On 30 April, we’re at Waterstones to host four Canadian poets (Chad Campbell, James Arthur, Stephanie Warner, and Jim Johnstone) and celebrate the recent publication of an exciting new anthology of Canadian poetry. Sign up to attend here.

And on 20 May we are collaborating with the Oxford Centre for Christianity and Culture to bring the acclaimed poet Gillian Allnutt to Oxford – don’t miss her!

Find out more about these and other upcoming events on our events page, and remember that in addition to this Weekly Poem e-mail, you can also follow our work on Facebook, Twitter, and Instagram. We look forward to seeing you soon!

Notes from Nine Arches:

Theresa Lola’s debut poetry collection In Search of Equilibrium is an extraordinary, and exacting study of death and grieving. Where the algorithms of the body and the memory fail, Lola finds the words that will piece together the binary code of family and restart the recovery program. In doing so, these unflinching poems work towards the hard-wired truths of life itself – finding hope in survival, lines of rescue in faith, a stubborn equilibrium in the equations of loss and renewal. You can read more about the collection on the Nine Arches website.

Theresa Lola is a British Nigerian Poet, born in 1994. She was joint-winner of the 2018 Brunel International African Poetry Prize and was shortlisted for the 2017 Bridport Poetry Prize. In 2018 she was invited by the Mayor of London’s Office to read at Parliament Square alongside Sadiq Khan and actress Helen McCory at the unveiling of Millicent Fawcett’s statue. She has appeared on BBC Radio 4 Woman’s Hour, and ASOS Magazine with Octavia Collective among others. She is an alumni of the Barbican Young Poets Programme. Find out more about Theresa’s work on her website and follow her on Twitter.

Since its founding in 2008, Nine Arches Press has published poetry and short story collections (under the Hotwire imprint), as well as Under the Radar magazine. In 2010, two of our pamphlets were shortlisted for the Michael Marks Poetry Pamphlet prize and Mark Goodwin’s book Shod won the 2011 East Midlands Book Award. In 2017, All My Mad Mothers by Jacqueline Saphra was shortlisted for the T.S. Eliot Poetry Prize. Our titles have also been shortlisted for the Michael Murphy Prize, and in 2016 David Clarke’s debut poems, Arc, was longlisted for the Polari Prize. To date we have now published over seventy poetry publications, and 20 issues of Under the Radar magazine (and counting). Follow Nine Arches on Facebook and Twitter.

Beech Wood

March 13, 2019March 29, 2022 ~ oxfordbrookesuni

Stopped on the track mid echo of screams −
mewls of hawks, clipping the tree tops −
not for that, but for gaps in what’s read as a wood
(could be roe deer, muntjac or the loaded
breath of the dead and rotted-down
held to itself, weighing down),
we hear quiet restored to leaves drifting,
bloating one creak, a snap; that instant relief
from gold bars twinkling.

by Kate Behrens

News from the Poetry Centre! We have a number of exciting events coming up over the next few months and hope you’ll be able to join us for some or all of them! Please book spaces via the links below.

On Tuesday 19 March from 7-9pm we’re helping to host an open mic evening for LGBTQ+ History Month and the Oxford Human Rights Festival. Then on Monday 25 March, join us, TORCH, and Paris Lit Up for a discussion about cultural diversity in literature, featuring authors Elleke Boehmer, Karin Amatmoekrim, and Malik Ameer Crumpler. A showcase from Paris Lit Up and an open mic will follow. And finally (for now!), on 20 May we are collaborating with the Oxford Centre for Christianity and Culture to bring the acclaimed poet Gillian Allnutt to Oxford– don’t miss her!

Notes from Two Rivers Press:

In Penumbra, Kate Behrensʼ third collection, the poems are linked by themes of dislocation and heredity. If the dead are ever-present here, so is love: the absence of, rewards and longing for it, the endurance and effort of it. We are led from the poetʼs bohemian childhood to the complex grief, in middle age, that followed the death of her painter father, and on to individual animals, people, and even trees that are differently uprooted or burdened. Everything is haunted here, but the boundaries of death and love are permeable, nature full of revelation. Read more about Kate’s book on the Two Rivers website.

Kate Behrensʼ two earlier collections, The Beholder and Man with Bombe Alaska were published respectively in 2012 and 2016 by Two Rivers Press. Other poems have appeared in magazines and anthologies including Blackbox Manifold, Mslexia,The Arts of Peace, an Anthology of Poetry, Poetry Salzburg, The High Window and Stand.

Two Rivers Press has been publishing in and about Reading since 1994. The brainchild of Peter Hay (1951-2003), one of the town’s most creative champions, the press grew out of his delight in this under-loved town and its recessed spaces. Nearly two decades of publishing and over 70 titles since its inception, Two Rivers Press has been described as ‘one of the most characterful small presses in the country.’ The Press is strongly rooted in the local community and has close links with Reading University, Poets’ Café, RISC, MERL and other local groups. Its contribution to Reading’s culture won for it a Pride of Reading award in 2008. Read more about the press on its website, or follow it on Twitter.