Typhoon Etiquette


Everything is wet
E  v  e  r  y  t  h  i  n  g
Things are done properly here
For two days you will all struggle with umbrellas
On the third day   the see-through plastic and spoke carcasses
line the kerbs
I wait
for my name and number to be proclaimed across the land
before making my arrival
I don’t rush
up the country
that would be inconsiderate
I take each island in turn
a typhoon etiquette
Yaeyama  Miyako   Okinawa  Amami   Tokara   Yakushima
I savour Okinawa   raking
each field   forcing every cane of sugar   every husk of rice
to drink itself daft
You will know of my arrival
via text 
in the middle of the night
There’s the gathering of winds
the heavy slant
of rain   It is almost a relief for you
The waiting is over
I am here
Some of you bet on my wind speeds
I can perform at a mean 150 km an hour
Most aren’t fooled by the lull
after my initial hit
but I love to see those blond tourists
venture from their Best Westerns
flat cameras like amulets
They won’t stay for long
I like the streets
empty night or day   when even the crows are silent
then I concentrate
Destruction used to be easier
I’d been taught to savour the umashi
of Shibuya’s concrete   how it used to crumble
I spun around laughing when they built taller
But they’re cleverer than before
With this all-seeing eye
I do my best work   and my worst
Don’t be fooled
treesriverscarsseafronts are easy
My life is brief   a few days at most
Respect me
write down my name   worship me in this way
then shake the rope that leads to your gods
see if they are listening

by Katrina Naomi

Our International Poetry Competition is open for entries for just a couple more weeks – until 2 September. There are two categories: Open and English as an Additional Language. Our judge is Jackie Kay, and you could win £1000! Find out more and enter here.

The Poetry Centre’s ignitionpress has just launched its three newest pamphlets by Joanna Ingham, Jennifer Lee Tsai, and Sarah Shapiro. You can read more about them and buy copies here.

Writing about this week’s poem, Verve Poetry Press says: ‘We are thrilled that the wonderful Katrina Naomi has asked us to publish the poems that came out of her recent Arts Council-supported writing trip to Japan. And a wonderful group of poems they are, that at once depict Japan, its traditions, its customs with great enthusiasm and some puzzlement. Katrina doesn’t pretend she is an expert but prods and questions not only what she finds but also herself.  

Also included are Katrina’s translations of haiku by two Japanese masters, which have previously been published in Modern Poetry in Translation magazine. Altogether, this is Katrina trying something new, but with the quality, the wonderful way with words, the earnest grappling with the perceived world that characterises all her work.’ You can read more about the pamphlet and buy a copy on the Verve Poetry Press site.

In 2018 Katrina Naomi received a BBC commission for National Poetry Day. Her poetry has appeared in the TLSPoetry London, The Poetry Review and The Forward Book of Poetry 2017, as well as on BBC TV’s Spotlight and Radio 4’s Front Row and Poetry Please. Her latest collection, The Way the Crocodile Taught Me (Seren, 2016), was chosen by Foyles’ Bookshop as one of its #FoylesFive for poetry. Katrina was the first writer-in-residence at the Brontë Parsonage Museum in West Yorkshire. She has a PhD in Creative Writing (Goldsmiths) and tutors for Arvon, Ty Newydd and the Poetry Society. Learn about Katrina’s work via her website and follow her on Twitter.

Verve Poetry Press is a new press focussing intently on meeting a local need in Birmingham – a need for the vibrant poetry scene here in Brum to find a way to present itself to the poetry world via publication. Co-founded by Stuart Bartholomew and Amerah Saleh, the press was voted Most Innovative Press at Saboteur Awards 2019 and has been described as ‘always exciting’ by Andrew McMillan. It is publishing poets from all corners of the city – poets that represent the city’s varied and energetic qualities and will communicate its many poetic stories.

Added to this is a colourful pamphlet series featuring poets who have previously performed at our sister festival such as Luke Kennard, Katrina Naomi and Claire Trévien – and a poetry show series which captures the magic of longer poetry performance pieces by poets such as Polarbear and Matt Abbott. Like the festival, we will strive to think about poetry in inclusive ways and embrace the multiplicity of approaches towards this glorious art. Find out more about Verve Poetry Press here and more about the festival here.

Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.

Two selections from Running Rings

Running Rings by Phil Madden
Words by Phil Madden; prints by Paul L. Kershaw

Our International Poetry Competition is still open for entries until 2 September. There are two categories: Open and English as an Additional Language. Our judge is Jackie Kay, and you could win £1000! Find out more and enter here.

The Poetry Centre’s ignitionpress has just launched its three newest pamphlets by Joanna Ingham, Jennifer Lee Tsai, and Sarah Shapiro. You can read more about them and buy copies here.

Text is copyright © Phil Madden and images copyright © Paul L. Kershaw, 2019. It is reprinted from Running Rings by permission of the author and illustrator.

Phil Madden’s fourth book in collaboration with Paul L. Kershaw, printmaker and printer. Running Rings was a winner of the Judges’ Choice Award at the Oxford International Fine Press Fair in 2018. It is a limited edition of 70 copies, bound in quarter cream cloth with suminagashi marbled paper, 28pp, 365 x 255 mm. It was inspired by the trees in Studley Park, a World Heritage Site near Ripon.

As with their other collaborations, the images and words by Phil and Paul do not sit side by side artificially mirroring each other. Instead they are organically intertwined, using concrete poetry, fragmentation and varying focus and complexity. Together they invoke the essence of trees and woodlands in their glorious states of life, death, decay and renewal. You can find out more about the book and see further images from it on Paul’s website.

Copyright information: please note that the copyrights of all the poems displayed on the website and sent out on the mailing list are held by the respective authors, translators or estates, and no work should be reproduced without first gaining permission from the individual publishers.